ALISON McKENNA
VIEWING ROOM
“Landscape painting has a particular poignancy when nature is on the point of collapse, either because of greedy developers, chemical fertilisers, threat of war or climate change - all of which are now interlinked. So while we are in this transition to renewable energy sources and are aiming to reduce carbon pollution, the natural world continues to manifests its beauty and power, and in these paintings I have tried to capture that.”
Hill And Sky 2021
Enamel and pencil on hardboard, 145 x 105cm.
Many Coloured Land 2021
Enamel and pencil on hardboard, 145 x 105cm.
White Mountain 2022
Enamel on hardboard, 110 x 170cm.
The Village Of Resistance 2022
Enamel on hardboard, 170 x 110cm.
Before Delphi 2022
Enamel on hardboard, 170 x 110cm.
Sacred Land, 2021
Oil on Arches paper, 56 x 76cm.
Yulia, 2022
Enamel on hardboard, 145 x 105cm
Upwards, 2021
Enamel on hardboard, 147 x 105cm
Hill Form with Pink Blue and Red, 2022
Enamel on hardboard, 105 x 145cm
Peace Camp 2021
Enamel and acrylic on Arches paper, 57 x 77cm.
Green Gate 2021
Enamel and acrylic on Arches paper, 57 x 77cm.
Sugar Diamond 2021
Enamel and acrylic on Arches paper, 57 x 77cm.
Yellow Sky, 2022
Enamel on hardboard, 105 x 145cm
Where Things Meet, 2022
Enamel on hardboard, 105 x 145cm
Megalith, 2021
Enamel and pencil on birch plywood, 105 x 145cm.
Moving Through The Asteroid, 2021
Oil on Arches paper, 56 x 76cm.
Gold Mountain, 2021
Oil on Arches paper, 56 x 76cm.
Landing Strip, 2021
Enamel on paper, 100 x 140cm.
Sun Force, 2019
Acrylic and Gouache on paper
30 x 42cm
Untitled, 2018
Acrylic on paper
70 x 100cm
Untitled, 2018
Acrylic on paper, 100 x 140cm
Common Land Photo Series
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Common Land 2021
“A series of photographs taken in April and Dec 2021 on visits to various sites, including Greenham common nature reserve (formally Greenham Common USAF Air Base and the site of a 19 year long peace protest by women against nuclear armaments), and the neolithic monuments of Avebury and Silbury Hill in Wiltshire at the dawn of the Winter Solstice. By decorating the black and white images with inks and colour washes, I aim to reveal the ‘energetics of place’, that in many instances have restricted access (not least to a woman in the possibly hostile environment of open countryside) or have been disrupted by roadways. Greenham Common is in an active phase of healing, but it will take a long time to lift the spirits from the weight of the past.” Alison McKenna, 2022
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