VIVIENNE DICK
VIEWING ROOM
Filmmaker, artist and photographer Vivienne Dick is internationally renowned for her explorations of identity and place, particularly in the seeming polar opposites of Downtown NY and rural Ireland. Nevertheless, Dick draws out the commonalities and celebrates individual, collective and communal identity, as well as now focussing on our increasingly fraught relationship with our home here on Earth. Originally using a 35mm camera before learning the art of film-making, Dick has recently returned to print-making, by trawling through reels of super 8 and digital frames, looking for pictures that can stand by themselves as stills. It is these print works that we are proud to represent here. All images are digitally printed and signed by the artist in editions of 9. Please contact Lux for film screenings.
Augenblick 2 (2017)
Digital film still printed on Hahnemühle Archival paper, 500 x 750mm, Ed. 9
(Augenblick, 14 mins)
Augenblick 4 (2017)
Digital film still printed on Hahnemühle Archival paper, 500 x 750mm, Ed. 9
(Augenblick, 14 mins)
Red Moon Rising 3 (2015)
Digital film still printed on Hahnemühle Archival paper, 500 x 750mm, Ed. 9
(Red Moon Rising, 15 mins)
New York City Water Towers 2020
Digital film still printed on Hahnemühle Archival paper, 500 x 750mm, Ed. 9
(New York In Our Time, 79 mins)
Rent Strike (1979)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Beauty Becomes The Beast, 41 mins)
Jane Dixon In Purple (1978)
Super-8 film still printed on Hahnemühle 300 x 400mm, Ed. 9
(Beauty Becomes The Beast, 41 mins)
Trixie 1 (1980)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Liberty’s Booty, 47 mins)
Lydia On The Fire Escape (1978)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Guerillere Talks, 25 mins)
Margaret On The Phone (1980)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Liberty’s Booty, 47 mins)
Pat Place At The WTC (1978)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(She Had her Gun All Ready, 28 mins)
Astor Place (1979)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Beauty Becomes The Beast, 41 mins)
Lydia At The Corner (1979)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Beauty Becomes The Beast, 41 mins)
Lydia On Avenue C (1978)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(She Had her Gun All Ready, 28 mins)
Moment Of Death (1978)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(She Had her Gun All Ready, 28 mins)
Anya With Cigarette (1978)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Guerillere Talks, 25 mins)
Trixie 2 (1980)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Liberty’s Booty, 47 mins)
Outside In Town (1981)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Visibility Moderate, 45 mins)
On The Train (1981)
Super-8 film still printed on Hahnemühle Archival paper, 300 x 400mm, Ed. 9
(Visibility Moderate, 45 mins)
